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Caspar David Friedrich
The walker above the mists
MK169
ca.1817-18 oil Paint on cloth 74.8x94.8cm
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Caspar David Friedrich
Landscape with Pavilion
c. 1797
Pen, ink and watercolour,
167 x 217 mm
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Caspar David Friedrich
Cross in the Mountains
1805-06
Pencil and sepia,
640 x 931 mm
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Caspar David Friedrich
Giant Grave by the Sea
1806-07
645 x 950 mm
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Caspar David Friedrich
The Ruins of Eldena
c. 1825
Pencil, ink and watercolour,
178 x 229 mm
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Caspar David Friedrich
Landscape with Grave, Coffin and Owl
385 x 383 mm
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Caspar David Friedrich
The Oaktree in the Snow
1829
Oil on canvas,
71 x 48 cm
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Caspar David Friedrich
Boats in the Harbour at Evening
c. 1828
Oil on canvas,
76,5 x 88,2 cm
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Caspar David Friedrich
Evening Landscape with Two Men
1830-35
Oil on canvas,
25 x 31 cm
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Caspar David Friedrich
The Grosse Gehege near Dresden
c. 1832
Oil on canvas,
73,5 x 102,5 cm
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Caspar David Friedrich
Neubrandenburg in Flames
c. 1835
Oil on canvas,
72 x 101 cm
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Caspar David Friedrich
Wreck in the Sea of Ice
1798
Oil on canvas,
30 x 22 cm
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Caspar David Friedrich
Dolmen in the Snow
1807
Oil on canvas,
61,5 x 80 cm
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Caspar David Friedrich
Cross in the Mountains
1808
Oil on canvas,
115 x 110 cm
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Caspar David Friedrich
The Abbey in the Oakwood
1809-10
Oil on canvas,
110 x 171 cm
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Caspar David Friedrich
The Cross in the Mountains
1812
Oil on canvas,
45 x 37 cm
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Caspar David Friedrich
The Chasseur in the Forest
1814
Oil on canvas,
66 x 47 cm
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Caspar David Friedrich
View of a Harbour .
1815-16
Oil on canvas,
90 x 71 cm
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Caspar David Friedrich
Neubrandenburg
c. 1817
Oil on canvas,
91 x 72 cm
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Caspar David Friedrich
Woman before the Rising Sun
1818-20
Oil on canvas,
22 x 30 cm
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| Caspar David Friedrich
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1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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